Showing posts with label Sequel Trilogy. Show all posts
Showing posts with label Sequel Trilogy. Show all posts

Sunday, March 24, 2013

The Desolation of Disney: Can the Star Wars Universe Survive Episode VII?


I have been and always will be a Star Wars fan.  I also am rather fond of the Empire of the Mouse, otherwise known as Disney.  With that preamble, I am worried that the cancellation of the animated television series, Star Wars: The Clone Wars and the indefinite delay of Star Wars: Detours presage a difficult period for Star Wars fans.

The tea leaves and rumors seem to indicate that the Prequel era is going to be mothballed for a while, the cancellation of Episode II and III 3D conversion while at least partially a ownership/distribution issue also serves to clear the theatrical decks for Star Wars Episode VII.  Will all Star Wars storytelling come to a grinding halt to make way for the Episode VII marketing machine, where every consumer channel will be flooded with related content?

How will this impact the two other main Star Wars entertainment vehicles the novel and comic lines?

As of now this is where we stand with future announced published materials:

Novels:

I am hardly an expert on the comics, but Dark Horse has in recent years shifted to a story arc structure that makes most of their Star Wars series either stand alone mini-series or mini-series within a larger story.  There aren't any comic issues or series that have been announced after 2013.  

There are two key decisions to be made that will determine how drastic the changes will be for fans of Star Wars storytelling. The first question is whether the Expanded Universe will be transferred to an Alternate Universe or if it will simply be ignored and replaced going forward? The second question is whether all publishing channels will be devoted to the Sequel Trilogy era or setting up the Sequel Trilogy era by creating new stories after Return of the Jedi that replace the Expanded Universe? 

The beauty of having the current Expanded Universe and a television property like The Clone Wars is that while they are all "Star Wars," there are different flavors of Star Wars.  This allows fans who may be turned off by one product to find another product they can enjoy and spend money on.  A portion of fans may be turned off by the story of Episode VII and the Sequel era, the majority won't be, but you don't kill off properties and piss off fans that help keep the Star Wars franchise relevant in the long period of time between theatrical films.  If Expanded Universe books were not making the New York Times Best Seller list, then I could see justification for obliterating that storytelling universe, but as it stands now preserving the Expanded Universe in the form of an Alternate Universe seems like not only smart fan service by Disney but also the smart decision financially.  It strikes me that the best approach is balanced where the majority of resources and publishing slots  are focused on the Sequel era makes sense, but would allow for keeping a smaller say 25% of these slots and resources reserved for the EU/AU to keep the flame of those stories lit and keep those fans engaged.  

Was The Clone Wars sacrificed needlessly?  If you check out the plethora of Marvel animated shows and other Disney animated properties, there is a wide range of production quality. It would be hard to argue that any of these shows are more well done than The Clone Wars was. In many ways Lucas treated his company a bit like NASA.  By being on the cutting edge of technology and new production techniques Lucas spend more money but also created things that can be used by other film makers and members of the entertainment industry, much like some of the derivative technology that has reached the general population out of the space program.

On the flip side it may be that George Lucas was willing to pour much more money into his pet project to get it built to that level than Disney is willing to spend on one animated series out of many.  Without having a complete picture of production costs, revenue from the show (TV, syndication and home video) it is hard to perform the sort of cost-benefit analysis that they no doubt did within the halls of Disney.

The other aspect of the cancellation of The Clone Wars which makes very little sense to me is that in effect TCW was a giant feeder system for the next generation of Star Wars fans.  Many kids have grown up with The Clone Wars, it is "their" Star Wars and is central to their fandom experience.  How many of these children will be so turned off or upset by the cancellation of the series that they will not come back? How many will simply be apathetic after the loss of the series?  How many will come back but only for the films and how much money will Disney be losing in the intervening years from now until the tentative 2015 release of Episode VII?

How many of these decisions are being made at the Lucas Licensing level, the Lucasfilm level (Kennedy), and how many are being made at the larger Disney corporate level?

I think fans and particularly Expanded Universe fans who have devoted much time and money following these amazing stories deserve to know more about the future direction of "our" Star Wars" universe.  I say our because unlike almost any other property the sense of ownership and community that grew up around Star Wars is unmatched.  There is no Lucasfilm as we know it or Star Wars Episode VII without the legions of fans like myself.

Will the characters and stories that have filled the Star Wars Universe simply wind down like The Clone Wars or will they survive if only in another form?  What say you Lucasfilm?

SOURCE: Wookieepdia for Publishing Information



Tuesday, November 20, 2012

Star Wars Sequel Trilogy Rumor: Lawrence Kasdan and Simon Kinberg to Write and Produce Episode VIII and Episode IX

Kasdan, Lucas, and Hamill
The Hollywood Reporter is reporting that Lawrence Kasdan and Simon Kinberg have signed on to produce and write the second two films of the Sequel Trilogy.

From THR's Heat Vision Blog:
"Lawrence Kasdan and Simon Kinberg have closed deals to write installments of the new Star Wars trilogy, sources tell The Hollywood Reporter. The pair will write either Episode VIII or Episode IX — their exact division of responsibilities is yet to be determined — and they will also come aboard to produce the films."
It is hard to find anything bad to say about this news, particularly Kasdan's return to the franchise.  I am very excited.

Kasdan's IMDB Writer Credits:

2012 Darling Companion (written by)
2003 Dreamcatcher (screenplay)
1999 Mumford (written by)
1996 Star Wars: Shadows of the Empire (Video Game) (story)
1994 Wyatt Earp (written by)
1992 The Bodyguard (written by)
1991 Grand Canyon (written by)
1989 Raiders of the Lost Ark: The Adaptation (video)
1988 The Accidental Tourist (screenplay)
1985 Silverado (written by)
1983 The Big Chill (written by)
1983 Star Wars: Episode VI - Return of the Jedi (screenplay)
1981 Continental Divide (written by)
1981 Body Heat (written by)
1981 Raiders of the Lost Ark (screenplay)
1980 Star Wars: Episode V - The Empire Strikes Back (screenplay)

Kasdan's IMDB Producer Credits:


 2012 Darling Companion (executive producer)
 2007 In the Land of Women (executive producer)
 2006 The TV Set (executive producer)
 2003 Dreamcatcher (producer)
 1999 Mumford (producer)
 1998 Home Fries (producer)
 1994 Wyatt Earp (producer)
 1992 The Bodyguard (producer)
 1992 Jumpin' at the Boneyard (executive producer)
 1991 Grand Canyon (producer)
 1989 Immediate Family (executive producer)
 1988 The Accidental Tourist (producer)
 1987 Cross My Heart (producer)
 1985 Silverado (producer)
 1983 The Big Chill (executive producer)

Kinberg's IMDB Writer Credits:


2014 X-Men: Days of Future Past (screenplay) (pre-production)
2012 This Means War (screenplay)
2009 Sherlock Holmes (screenplay)
2008 Jumper (screenplay)
2007 Mr. and Mrs. Smith (TV series) – Pilot (2007) (writer)
 2006 X-Men: The Last Stand (written by)
 2005 Mr. & Mrs. Smith (written by)
 2005 xXx: State of the Union (written by)
 2002 The Legacy (TV movie)


Kinberg's IMDB Producer Credits:


2013 Elysium (producer) (post-production)
2012 Abraham Lincoln: Vampire Hunter (executive producer)
2012 This Means War (producer)
2011 X-Men: First Class (producer)
2008 Jumper (producer)
2007 Got Next (short) (producer)
2007 Mr. and Mrs. Smith (TV series) (executive producer - 1 episode) – Pilot (2007) (executive producer)




SOURCES: THR and IMDB